Often figuring out who owned a book before begins with researching the marks we can see on its pages. However, in some cases the first challenge is to be able to see those marks at all. As I wrote in a recent post, POP has recently begun including images of provenance marks from the Folger Shakespeare Library, including images from 8 of their 82 First Folios (more on the Folger First Folios coming up in a future guest post on the Folger’s blog, the Collation). This made the POP team curious about the provenance in our First Folio at Penn Libraries (Folio PR2751 .A1). There are some very faint traces just barely visible in some places in our copy of the book, but the pages had been washed by a previous owner, a process that left them looking, for the most part, pretty bare. The few things that are visible still, like the inscription shown above, are very faint and hard to see.
POP assistant Ben Turnbull, Penn Post-Baccalaureate student in Classical Studies, recently applied his photoshop skills to making this and other marks in Penn’s First Folio easier to see. Above is the same image now much easier to read.
Of course this version of the image makes the inscription easier to read in one way, but not in others. The first part likely says “for Brooksbank Jun[io]r…” or “Jos Brooksbank Jun[io]r…” and appears to be written in an 18th century hand. However, the final part remains a mystery that we are looking to solve. What the letters separated by the + sign are and what they signify is uncertain. Is it an abbreviation of some kind? A date?
Similarly, this inscription written in pencil has been made easier to see, but not necessarily easier to read, and what it says has not yet been transcribed:
Other things written in the book were almost completely invisible:
But thanks to Turnbull’s work are now much more visible:
A closer look at this and writing on other pages reveals that this and other similar writing on other pages is a list of characters from the play facing the page it is written on. For example, here is a detail of a dramatis personae written opposite Coriolanus:
We’ve been able to uncover these casts of characters written opposite three of the plays in Penn’s First Folio: King John, Coriolanus, and Macbeth. Several plays in the First Folio are lacking a list of the cast of characters, so some previous reader wrote this information in. It may have been a reader who was having trouble keeping track of the characters, or someone thinking about performing the play, or perhaps someone who simply wanted the text to be more complete based on a later edition that listed the characters.
While these character lists are not provenance inscriptions pointing to past owners, being able to see the marks that previous owners made does help us to understand more about the history of this book. The fact that the marks were washed away to begin with is also, in and of itself, a part of the book’s history. The pages were probably washed primarily because they were in very dirty condition. There is evidence that the pages of this copy of the First Folio were covered in grime, crumpled and torn. The margins of many of the pages were clearly damaged or cut off in some way and have been completed with segments of more modern paper, and a few pages have been pieced together from multiple fragments that had come apart with age and use. At the same time, washing the pages and thereby fading away the inscriptions they contained, also was making a statement about how a previous owner saw the book and its purpose. Removing the evidence of previous owners attempts to restore a book like the First Folio to a state that is as close as possible to the way it may have looked near to the time of its printing, implying that some of its value lies in being able to envision it in a specific historic moment. By contrast, many libraries and collectors today seek out books that contain the evidence of how they were marked and used by people in the past because of what we can learn from such marks, valuing the layers that we can see accumulated in the pages across time. Making the marks of the past visible where they were once almost entirely erased provides the opportunity to solve new mysteries.
Do you have ideas about what one of the two inscriptions at the top of this page say? Comment on the POP Flickr feed or on this blog.
Click here to see all the images from Penn’s copy of the First Folio on POP.